kraken войти

[ShermanVaw]

здесь kraken зайти

[Ranandyrer]

Goun Blancanieves, Fill The Void among PSIFF winners
In her 20th year as Film Independent executive director, Dawn Hudson tells Jeremy Kay about the organisations core beliefs, moving the Los Angeles Film Festival to its new home and the long-running Independent Spirit Awards.Tell us about the origins of Film Independent The organisation was created in 1980 by a small band of filmmakers including Gregory Nava and Anna Thomas. They held the first meeting for independent filmmakers in Los Angeles, which was attended by a whopping six people. Their vision and commitment helped to sustain this organisation into a body dedicat stanley cup ed to helping filmmakers.How has the organisation changed since you joined I came on as exec stanley cup utive director in 1991 and that mission to nurture and support independent filmmakers and celebrate their work hasnt really changed. Our ability to execute that mission in a broader way has evolved exponentially. We are now able to fund filmmaker labs for writers, directors, producers and documentarians. We fund diversity programmes and a variety of workshops and casting rooms and offer affordable rental on high-grade cameras. We have filmmakers retreats, too, so we support this community in myriad ways, which is what artists need. The membership numbers around 4,000 now, but that cannot convey the strength of the independent film community in Los Angeles stanley cup . The community has grown so much.Why did you move the Los Angeles Film Festival downtown We knew the partnership with [venue] LA Live! and [owners] AEG was exciting bec Fbfo With Blood On My Hands Pusher II (Pusher II)
Source: Sixty Six PicturesLady MacbethCreative Englands low-budget feature initiative iFeatures, that has credits including the Bafta-nominated Lady Macbeth and 2017 TIFF premiere Apostasy, has chosen the 12 projects and teams to take part in its new-look lab format.The new system will see 12 projects from first-time filmmakers taken through an entire cycle of development. Thi stanley kubek s will include support for all aspects of the creative process, from inception to the stage when they are ready to be introduced to the market. This replacesthe previous model of developing an initial 12 projects for early development, and then whittling the group down until three are greenlit for production with budgets of 拢350,000 $396,000 .Over the next 12 months, the teams will take part in a series of workshops throughout the year focused on storytelling, directing and producing. Not all of the projects submitted have producers attached at this time, meaning several teams will be finalised during the process.The BFI and BBC Films, which fund the scheme with s stanley cup upport from Creative Skillset, have committed to p stanley cup roducing at least three of the projects budgets are not set in stone , but the goal is for more than that to be greenlit under the new guise. Creative England is analysing various sources of funding that could be harnessed.There were 800 applications this year which is double the number of last year. The 12 selected projects and teams are:HERE BEFORE Sophie Vickers producer ; Stacey Gregg wri