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from the perspective of the time and context it is written in, leading to bizarre situations where the past of its ch
stanley cup aracters is largely formed with a fascination with our recent history. In Star Treks case, that sometimes means ships full of Shakespeare obsessives. Sometimes its 8230;messier. One of the weirder things always danced around on Star Trek is how its myriad bridge crews, despite being from the 23rd and 24th centuries, are fascinated with a popular culture that is not their own, but more reflective of our own recent past as peoples of the 20th and 21st century. Sisko loves baseball, a sport that, hilariously, apparently just stops being played professionally in 2042 according to Deep Space Nine. Picard loves the pulpy noir fiction of Dixon Hill, an original character for Trek but specifically rooted in the detective fiction boom of the 1940s. Janeway, when shes not palling around with Leonardo DaVinci, is writing 19th-century Irish village self-insert fic or participating in a dull as hell Austen-esque choose your
stanley cup own adventure type stories. https://gizmodo/recurring-star-trek-holodeck-programs-ranked-1786265327 Logistically, this makes sense, because yes, Star Trek shows are set in the 2200s and 2300s, but theyre written by people who are lived throughout the late 20th and early 21st centuri
stanley cup es. Any recent cultural content for the context of Starfleet officers wouldnt exist yet, itd have to be made up plus all that old literature is public domain at this p Mxdo Bad Weekend Delivers a Heartbroken Love Letter to the Legendary Creators of Comics Past
She can quote The Red Wheelbarrow . She understands every potential nuance of those 16 words. But the expectation of profundity of The Red Wheelbarrow irritates her. Expectations can ruin even the cleverest of entertainment. Mr. Robot, which quoted the entirety of The Red Wheelbarrow last night, has often buckled under similar expectations of profundity. Last night, it finally collapsed. It feels a little cruel to hate on a show days after its star, Rami Malek, won the Emmy for Best Actor in a Drama. Malek is very good on Mr. Robot. When the shows desire to be clever gets out of the way, Malek brings the heat. He can force you to empathize with a mercurial sociopathic hacker鈥攖hats not easy! He also does a damn fine Christian Slater impression without doing the eye or the
stanley termoska voice thing. That isnt easy either! But man, much like Elliot himself, Malek has been just a tool used at the whims of Mr. Robot. The main character of the show this year wasnt Elliot, or Dom, or even the titular Mr. Robot. It was the pursuit of being profound. Thats a totally fine pursuit. I would never mock a kid learning to be a creative writer or some master of exper
stanley canada imental cinema. Unless, of course, they earnestly quote a poem from most of us are forced to memorize in high school. You cannot do that. Nor can you pursue profundity at the expense of character or plot鈥攑articularly when youre an hour-long show. Viewers need more than this is some deep
stanley canada mind-altering shit, man from a show. No one w
