05-30-2025, 04:51 PM
Aqnc Lava Bear promotes Jennifer Semler, Allison Warren
Dir. MilosForman. UK-Sp. 2006.114mins.Director Milos Forman and producerSaul Zaentz reteam for thefirst time since the Oscar-winning Amadeus 1984 with Goya s Ghosts, a strongly crafted productionwhich effectively brings to life not only the revered painter Francisco Goyabut also the tumultuous period in which he lived.Tightly-scriptedplotting the film also reunites Forman and Valmontscreenwriter Jean-Claude Carriere , lavish design anda commendable performance from Javier Bardem combinewell in a feature that has enough twists in its plotting to keep audiencesengaged.Goya is anational hero in Spain, where the film opens on Nov 8 following a stanley cup massivepromotional campaign. There, audiences may prove to be somewhat more criticalthan in other territories of an icon s treatment at the hands o stanley uk f a Czechfilm-maker and a French writer, although the casting of local talent in keyroles should help. Certainly it should outpace lower-budget films featuring theartist, such as Bigas Luna s Volaverunt and Carlos Saura s Goya In Bordeaux, which opened within weeks of each other inSpain in 1999 and each took less than $2m .Box-officeprospects beyond Spain may account for mor stanley cup e than the balance of the film stheatrical returns. Aside from the billing of names such as Natalie Portman,Goya is known beyond home - in recent years he has been the subject of awell-received biography by Robert Hughes as well as a direct influence on thelatest generation of artists - and the amount of period detail shoul Boxa Azzurro takes top honours at Swiss Film Awards
Vertical Entertainment has expanded from being a US distributor focused on independent releasesto becoming an international player in global day stanley kubek -and-date distribution. Jeremy Kay reportsAfter selling Lightning Entertainment and setting up Vertical Entertainment in 2013, co-presidents Rich Goldberg and Mitch Budin have embarked on a trajectory that has taken them far from the sales agency model in which they had operated for years. The privately backed Santa Monica-based distributor built a business specialising in the US release of quality independent films such as Susan Sarandon thriller The Calling, Chris Evans-Michelle Monaghan romantic comedy Playing It Cool, and the scheduled opening in stanley us July of Russell Crowe drama Fathers And Daughters.Working to a goal of 24 releases a year,Vertical handles the theatrical release in some cases, while in others it leverages content and retail relationships to orchestrate a day-and-date model encompassing some ancillary component. By early 2015, the partners and Peter Jarowey, Verticals head of marketing and acquisitions and a former executive at ARC where Goldberg had served as president, spotted an opportunity to expand into global day-and-date distribution.International expansion The genesis of the model was seeing third-party distributors and sales agents having a difficult time on i stanley usa ndependent titles because of the lack of [opportunities] in TV internationally, says Goldberg, noting how the rise in local production and reality progra
Dir. MilosForman. UK-Sp. 2006.114mins.Director Milos Forman and producerSaul Zaentz reteam for thefirst time since the Oscar-winning Amadeus 1984 with Goya s Ghosts, a strongly crafted productionwhich effectively brings to life not only the revered painter Francisco Goyabut also the tumultuous period in which he lived.Tightly-scriptedplotting the film also reunites Forman and Valmontscreenwriter Jean-Claude Carriere , lavish design anda commendable performance from Javier Bardem combinewell in a feature that has enough twists in its plotting to keep audiencesengaged.Goya is anational hero in Spain, where the film opens on Nov 8 following a stanley cup massivepromotional campaign. There, audiences may prove to be somewhat more criticalthan in other territories of an icon s treatment at the hands o stanley uk f a Czechfilm-maker and a French writer, although the casting of local talent in keyroles should help. Certainly it should outpace lower-budget films featuring theartist, such as Bigas Luna s Volaverunt and Carlos Saura s Goya In Bordeaux, which opened within weeks of each other inSpain in 1999 and each took less than $2m .Box-officeprospects beyond Spain may account for mor stanley cup e than the balance of the film stheatrical returns. Aside from the billing of names such as Natalie Portman,Goya is known beyond home - in recent years he has been the subject of awell-received biography by Robert Hughes as well as a direct influence on thelatest generation of artists - and the amount of period detail shoul Boxa Azzurro takes top honours at Swiss Film Awards
Vertical Entertainment has expanded from being a US distributor focused on independent releasesto becoming an international player in global day stanley kubek -and-date distribution. Jeremy Kay reportsAfter selling Lightning Entertainment and setting up Vertical Entertainment in 2013, co-presidents Rich Goldberg and Mitch Budin have embarked on a trajectory that has taken them far from the sales agency model in which they had operated for years. The privately backed Santa Monica-based distributor built a business specialising in the US release of quality independent films such as Susan Sarandon thriller The Calling, Chris Evans-Michelle Monaghan romantic comedy Playing It Cool, and the scheduled opening in stanley us July of Russell Crowe drama Fathers And Daughters.Working to a goal of 24 releases a year,Vertical handles the theatrical release in some cases, while in others it leverages content and retail relationships to orchestrate a day-and-date model encompassing some ancillary component. By early 2015, the partners and Peter Jarowey, Verticals head of marketing and acquisitions and a former executive at ARC where Goldberg had served as president, spotted an opportunity to expand into global day-and-date distribution.International expansion The genesis of the model was seeing third-party distributors and sales agents having a difficult time on i stanley usa ndependent titles because of the lack of [opportunities] in TV internationally, says Goldberg, noting how the rise in local production and reality progra