08-07-2025, 05:17 AM
(Сообщение последний раз редактировалось: 08-07-2025, 05:17 AM Ranandyrer.)
Dcpa Sundance unveils competition lineup in four sections for 2009
The Harold Greenberg Fund, run by Canadian media company Astral, has named 18 new and ongoing projects to be funded under its English-language script development program.Among the projects, chosen from 126 applicants, are Dee stanley cup pa Mehtas Salman Rushdie adaptation Midnights Children, from Hamilton-Mehta Productions, and The White Circus, from Chris Lavis and Maciek Szczerbowski, makers of Oscar-nominated animated short Madame Tutli-Putli, and Silo Corporation. We are honoured to be working with such high caliber Canadian fil stanley cup mmakers, said fund president John Galway. Deepas Water and Chris and Macieks Madame Tutli-Putli were both Academy Award nominated films. This shows us that, in addition to fascinating screenplays, these filmmakers have the drive and experience to execute complex, high quality projects. The supported scripts emanate from all across Canada. From Vancouver comes Archangel, an original science fiction story from novelist William Gibson and Michael St John Smith and Red Cedar Films. From Saskatchewan comes The Last Crossing, to be written by Rob King and produced by Minds Eye Development. And from Newfoundland comes Hold Fast, which Rosemary House of Rock Island Productions is adapting from the award-winning coming-of-age novel by Kevin Major.The Script Deve stanley cup lopment Program, created to assist in the development of quality Canadian feature film scripts, receives a yearly contribution of $1.3 million from Astrals The Movie Network .TopicsCanadaProduction N Lury Italian film industry tomake donation toearthquake victims
NOVEMBER 16 UPDATE: Sony, MGM and EON Productions spy thriller held on to top berth as the running total climbed to $130.7m after two sessions, while Universal launched Angelina Jolies By The Sea in a lacklustre limited debut.On Imax, James Bond delivered$3.8m from 374 screens in North America and $13m worldwide as the global tally climbed to nearly $40m.Foxs The Peanuts Movie edged closer to $100m following a number two hold that generated $24m for $82.3m.The CBS Films comedy Love The Coopers starring Diane Keaton, Alan Arkin and John Goodman arrived in third place on a solid $8.3m from 2,603 venues.Of the other new releases to break into the top 10, Warner stanley kubek Bros released the Chilean mine disaster drama The 33 鈥?a monster hit in Chile this year 鈥?at numbe stanley cup r five on $5.8m from 2,452 theatres.Bollywood sensation Prem Ratan Dhan Payo stormed in at number eight on $2.8m via Fox International Productions.The film grossed $30.1m from seven international markets via Fox International this weekend and set the biggest debut of all time for a Bollywood film in India on $26.5m.Clarius Entertainments drama My All American starring Sarah Bolger and Aaron Eckhart arrived at number 12 on $1.4m from 1,565 sites.By The Sea, the third film directed by Angelina Jolie in which she stars opposite husband Brad Pitt, arrived at number 31 through Universal on $96,250 from 10 sites.Overall box office for the top 12 amounted to $96.4m and stanley romania fell 36.4% against last weekend when Spectre launched. The sessi
Guav Simon West starts shoot for $51m Purple Mountain in Nanjing
2002 was the year the US majors clawed back market share at the international box office after the previous 12 months which had seen homegrown hits enjoy an unprecedented period of glory in their local markets.Record-breaking audiences were seduced by the second instalments in the Harry Potter Chamber Of Secrets and Lord Of The Rings The Two Towers series, the first in the arachnid franchise Spider-Man and the most globally successful James Bond film of all time Die Another Day . Admissions continued to grow and the UK/Ireland market overtook Germany and Japan to become the second biggest international territory by admissions, after France. Elsewhere, Mexico overtook Spain on the admissions front, but because of currency values, Spain remains well ahead at the box office.In terms of receipts, Japan and the UK/Ireland again lead the pack, helped partly by the world s most expensive ticket prices. See charts below Indeed, international film-making is booming and international audiences are now firmly in the habit of suppo stanley cup rting local films. Over the next two weeks, Screen International s weekly editio stanley cup n surveys the 14 biggest international territories, looking in particular at local films in their home territories. This week, the UK, France, Spain, Germany, Italy and Mexico. Next week: Norway, Sweden, Denmark, Australia, Japan, Hong Kong, C stanley cup hina and South Korea. TOTAL BOX OFFICE 2002Japan: $1.7bn UK/Ire: $1.3bn Germany: $1bnFrance: $1bn Spain: $666.2mItaly: $564.6mSouth Diqh Indian filmmaker challenges onscreen smoking ban
Graham Taylor gave attendees stanley italy at the Los Angeles Film Festival an upbeat appraisal of the independent space on Saturday [18], highlighting a time of revolution, when the only way to act is entrepreneurially. In a reportedly invigorating keynote speech entitled Money Talks And Art Matters that was interspersed with musical cues, Taylor said that while everything was changing at a dizzying pace, there were plenty of opportunities. Never in the history of the movie business has there been a better time for the Independents to be entrepreneurial, Taylor said. The balance of power between studios, indies and consumers is changing.Whether you are a filmmaker, producer, financier, distributer, or executive, now is the time to embrace the change. We are after all in the middle of a revolution, and nobody puts baby in the corner. He went on to add: The on-demand revolution is fueled by our growing ability to access content. Soon well be able to get content: anytime, anywhere via any consumption device. The studios have polarized to a tentpole strategy and increasingly look to off-balance sheet financing. The new studios of today 鈥?Netflix, YouTube, Google, ATT 鈥?are taking away market share. stanley kubek These new studios, along with the retailers: Walmart, Target, Tesco, and even a Seattle-based coffee company are financing and distributing content themselves rather tha stanley cup n just receiving it from the studios. Big Picture: the cable, internet and phone companies are battling to control a sing
The Harold Greenberg Fund, run by Canadian media company Astral, has named 18 new and ongoing projects to be funded under its English-language script development program.Among the projects, chosen from 126 applicants, are Dee stanley cup pa Mehtas Salman Rushdie adaptation Midnights Children, from Hamilton-Mehta Productions, and The White Circus, from Chris Lavis and Maciek Szczerbowski, makers of Oscar-nominated animated short Madame Tutli-Putli, and Silo Corporation. We are honoured to be working with such high caliber Canadian fil stanley cup mmakers, said fund president John Galway. Deepas Water and Chris and Macieks Madame Tutli-Putli were both Academy Award nominated films. This shows us that, in addition to fascinating screenplays, these filmmakers have the drive and experience to execute complex, high quality projects. The supported scripts emanate from all across Canada. From Vancouver comes Archangel, an original science fiction story from novelist William Gibson and Michael St John Smith and Red Cedar Films. From Saskatchewan comes The Last Crossing, to be written by Rob King and produced by Minds Eye Development. And from Newfoundland comes Hold Fast, which Rosemary House of Rock Island Productions is adapting from the award-winning coming-of-age novel by Kevin Major.The Script Deve stanley cup lopment Program, created to assist in the development of quality Canadian feature film scripts, receives a yearly contribution of $1.3 million from Astrals The Movie Network .TopicsCanadaProduction N Lury Italian film industry tomake donation toearthquake victims
NOVEMBER 16 UPDATE: Sony, MGM and EON Productions spy thriller held on to top berth as the running total climbed to $130.7m after two sessions, while Universal launched Angelina Jolies By The Sea in a lacklustre limited debut.On Imax, James Bond delivered$3.8m from 374 screens in North America and $13m worldwide as the global tally climbed to nearly $40m.Foxs The Peanuts Movie edged closer to $100m following a number two hold that generated $24m for $82.3m.The CBS Films comedy Love The Coopers starring Diane Keaton, Alan Arkin and John Goodman arrived in third place on a solid $8.3m from 2,603 venues.Of the other new releases to break into the top 10, Warner stanley kubek Bros released the Chilean mine disaster drama The 33 鈥?a monster hit in Chile this year 鈥?at numbe stanley cup r five on $5.8m from 2,452 theatres.Bollywood sensation Prem Ratan Dhan Payo stormed in at number eight on $2.8m via Fox International Productions.The film grossed $30.1m from seven international markets via Fox International this weekend and set the biggest debut of all time for a Bollywood film in India on $26.5m.Clarius Entertainments drama My All American starring Sarah Bolger and Aaron Eckhart arrived at number 12 on $1.4m from 1,565 sites.By The Sea, the third film directed by Angelina Jolie in which she stars opposite husband Brad Pitt, arrived at number 31 through Universal on $96,250 from 10 sites.Overall box office for the top 12 amounted to $96.4m and stanley romania fell 36.4% against last weekend when Spectre launched. The sessi
Guav Simon West starts shoot for $51m Purple Mountain in Nanjing
2002 was the year the US majors clawed back market share at the international box office after the previous 12 months which had seen homegrown hits enjoy an unprecedented period of glory in their local markets.Record-breaking audiences were seduced by the second instalments in the Harry Potter Chamber Of Secrets and Lord Of The Rings The Two Towers series, the first in the arachnid franchise Spider-Man and the most globally successful James Bond film of all time Die Another Day . Admissions continued to grow and the UK/Ireland market overtook Germany and Japan to become the second biggest international territory by admissions, after France. Elsewhere, Mexico overtook Spain on the admissions front, but because of currency values, Spain remains well ahead at the box office.In terms of receipts, Japan and the UK/Ireland again lead the pack, helped partly by the world s most expensive ticket prices. See charts below Indeed, international film-making is booming and international audiences are now firmly in the habit of suppo stanley cup rting local films. Over the next two weeks, Screen International s weekly editio stanley cup n surveys the 14 biggest international territories, looking in particular at local films in their home territories. This week, the UK, France, Spain, Germany, Italy and Mexico. Next week: Norway, Sweden, Denmark, Australia, Japan, Hong Kong, C stanley cup hina and South Korea. TOTAL BOX OFFICE 2002Japan: $1.7bn UK/Ire: $1.3bn Germany: $1bnFrance: $1bn Spain: $666.2mItaly: $564.6mSouth Diqh Indian filmmaker challenges onscreen smoking ban
Graham Taylor gave attendees stanley italy at the Los Angeles Film Festival an upbeat appraisal of the independent space on Saturday [18], highlighting a time of revolution, when the only way to act is entrepreneurially. In a reportedly invigorating keynote speech entitled Money Talks And Art Matters that was interspersed with musical cues, Taylor said that while everything was changing at a dizzying pace, there were plenty of opportunities. Never in the history of the movie business has there been a better time for the Independents to be entrepreneurial, Taylor said. The balance of power between studios, indies and consumers is changing.Whether you are a filmmaker, producer, financier, distributer, or executive, now is the time to embrace the change. We are after all in the middle of a revolution, and nobody puts baby in the corner. He went on to add: The on-demand revolution is fueled by our growing ability to access content. Soon well be able to get content: anytime, anywhere via any consumption device. The studios have polarized to a tentpole strategy and increasingly look to off-balance sheet financing. The new studios of today 鈥?Netflix, YouTube, Google, ATT 鈥?are taking away market share. stanley kubek These new studios, along with the retailers: Walmart, Target, Tesco, and even a Seattle-based coffee company are financing and distributing content themselves rather tha stanley cup n just receiving it from the studios. Big Picture: the cable, internet and phone companies are battling to control a sing